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Ana Inés Jabares-Pita Set and Costume Designer

LYCEUM CREDITS

Twelfth Night(co-production with Bristol Old Vic), Cockpit, Charlie Sonata.

RECENT THEATRE CREDITS

A Thousand Splendid Suns(Birmigham Rep/Northern Stage/Hackney Empire); Woman and Scarecrow(Rada); The Lovely Bones (Royal & Derngate); What Girls Are Made Of, Letters to Morrissey (Traverse Theatre); Aladdin (Perth Theatre); Pride & Prejudice *Sort of, Daphne Oram and the Wonderful World of Sound (Blood of the Young/Tron Theatre);Wish List (Royal Court/Royal Exchange, Manchester); George and the Marvelous Medicine (Dundee Rep); Fisk (Tortoise in a Nutshell/Teater Katapult); In Fidelity (Traverse Theatre/HighTide Festival); Unbecoming,Achilles,The End of Things (Company of Wolves); The Quiet House (Birmingham Rep/Park Theatre); Lela & Co (Royal Court); The Driver’s Seat (National Theatre of Scotland); The Echo Chamber (Young Vic); Domestica (Sleepwalk Collective); Idomeneus (Gate Theatre); Sappho... in 9 Fragments (Ottawa Fringe Festival).

OTHER CREDITS

As Designer, dance includes The Magic Fish (ATMA Dance, The Place); Elementa (Salon Teatro); Histoire du Soldat, Le Carnaval des Animaux, Pierino e il Lupo (Teatro Politeama, Palermo). Opera includes the 2018 world premiere ofTo See The Invisible (Aldeburgh Festival);The Remnants (The Print Room); Joe Snape (Delicatessen Theatre). Ana was the overall winner of The Linbury Prize for Stage Design 2013, became The Gate Theatre’s Jerwood Young Designer 2014. Ana won3rd prize in European Opera 2016 with the director Max Hoehn and was a finalist for the World Stage Design Exhibition in Taipei.Sappho... in 9 Fragmentswon Best Design in the Ottawa Fringe Awards and Wish List –won Best Studio Production in the Manchester Theatre Awards.


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